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mizuko
Inscrit le: 16 Avr 2006
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 Posté le: Jeu Oct 02, 2014 3:33 pm Sujet du message: |
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ABTのプリンシパル、パロマ・ヘレーラ、ジュリー・ケント、シマオラ・レイエスの3人の引退が発表されました。 3人とも2015年のスプリング・シーズンを最後に現役を退くとのことです。
http://artsbeat.blogs.nytimes.com/2014/09/30/three-ballet-theater-principals-to-retire/
それぞれの最後の舞台として予定されているのは：
シマオラ・レイエス 5月27日 『ジゼル』
パロマ・ヘレーラ 6月9日 『眠れる森の美女』（ラトマンスキー） ＊新制作
ジュリー・ケント 6月20日 『ロミオとジュリエット』（マクミラン）
パロマ・ヘレーラの引退はかなり以前に出ていましたが、他のお二人、とくにまだバリバリ踊っているジュリー・ケントの引退は少し驚きました。 おそらく皆さん年齢的な理由だと思いますが、またひとつの時代が終わりますね。
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mizuko
Inscrit le: 16 Avr 2006
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| Posté le: Dim Oct 05, 2014 11:59 am Sujet du message: |
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NYCBのウェンディ・ウィーランが、10月18日をもってNYCBを退団するそうです。 NY Times に Roslyn Sulcas による長い記事が出ています。 47歳半だそうですよ。
A Muse Steps Away - Wendy Whelan Says Farewell to City Ballet
当日は、アレクセイ・ラトマンスキーとクリストファー・ウィールドンがウィーランに振り付けた新作を踊るとのこと。 また、今後もダンサーとしての活動は続けていくそうで、4人の振付家とコラボレイトした "Restless Creature" （今年7月にロンドンでも公演してますね） のアメリカ国内ツアーが来年1月～5月に予定され、2015年7月にはロンドンでロイヤル・バレエのエドワード・ワトソンとの新作を踊ることになってるそうです。
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mizuko
Inscrit le: 16 Avr 2006
Messages: 14999
Localisation: tokyo
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mizuko
Inscrit le: 16 Avr 2006
Messages: 14999
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mizuko
Inscrit le: 16 Avr 2006
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Localisation: tokyo
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| Posté le: Lun Mar 09, 2015 4:06 pm Sujet du message: |
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[本家より]
え～とですね、sophiaさんがいろいろと資料を集めてくださっていて、もったいないのでご紹介しますね。
初演を前に出された LA Times の記事は、今回の復刻版についてラトマンスキーにインタビューしたもの。 ステパノフのノーテーションから振付を起こしたこと、奥様の助力が合ったこと、衣装等についてなんかも話していてとても興味深いです。
| Citation: |
| Ratmansky and his wife, Tatiana, a former dancer and his assistant on the production, have learned to read the Stepanov notation. The notebook that he consulted in the ABT rehearsal was filled with the intricate tiny symbols of the ballet's notated score. |
ステパノフのノーテーションを忠実に再現したい・・・：
| Citation: |
| "My idea is not to change things but to stay with what was written," he explained. "This is Petipa's choreography. I want to do as little as possible of my own." |
振付だけではなく、スタイルもノーテーションに沿ったものに。 ポワントではなくドゥミポワントでのステップや、低い位置のパッセでのピルエット、脚の高さ、倒した上体の位置、角度、方向などについてもで、全て筋が通って理解できる、云々。。。：
| Citation: |
"It all makes sense," he said of the tiny, extremely detailed notations. "If something doesn't, then you probably don't understand it. You need to look back at it and reconsider. When you change, it looks wrong — then when you find out what it is, then everything falls into place. It's like a puzzle, or deciphering a lost language."
So what will audiences see, and how different will it be from other versions of "Sleeping Beauty"? They will see familiar passages performed with unfamiliar stylistic approach and often, a different attack than they are used to.
"Some of it is very close. But it's all different in details — timing, some positions," Ratmansky said.
"Technically, it's very different. Certain steps are done on demi-pointe, not on full pointe. All the pirouettes are in low passé, not high passé. Everything is very clear — the height of the leg, where it's bent — and all of the angles, all the directions, and front or back. It's very difficult to do. I just talked to Diana [Vishneva, the opening-night Aurora] before the rehearsal, and she said her muscles are painful — it's so different and so difficult." |
当時と現在の振付があまりにも違うことや、踊りのスタイルが優雅さからアスレチックに変化してしまったことについて :
| Citation: |
| Ratmansky has had a similar reaction as he discovered how the choreography evolved from "then" to "now." "All the changes, I feel, went from sophisticated and complex to simple," he said. "From the graceful to the pushy and athletic. From feminine to unisex. It's not progress, it's just changing the style." |
ダンサーたちのリアクション （使う筋肉が違うので大変らしい・・・）：
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I just talked to Diana [Vishneva, the opening-night Aurora] before the rehearsal, and she said her muscles are painful — it's so different and so difficult."
For Gillian Murphy, who will dance Aurora on Wednesday, "The interesting challenge is to bring the contemporary knowledge that we have, that's been handed down through generations — and the evolution that we've had as dancers over that time — to make that material come to life in a way that honors the original intention. But also I think our modern use of footwork and port de bras will only enrich and enhance the original intention of Petipa."
Her partner, James Whiteside, observed that the choreographer "is trying to instill the same dynamic and attack and musicality that he would for something he was choreographing from scratch. Alexei always tries to give us motivations. He's very open to listening to what we have to say. It's definitely collaborative." |
チュチュについて :
| Citation: |
| "The tutus are not traditional 'Sleeping Beauty' tutus; they're much more romantic and have slightly longer skirts — though I've made them shorter than they were in 1921. They're about knee-length. They have a much softer silhouette," he said. |
ABT の facebook にはほかにも写真があるそうです。
（続く・・・）
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cutekun
Inscrit le: 29 Mar 2011
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mizuko
Inscrit le: 16 Avr 2006
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mizuko
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mizuko
Inscrit le: 16 Avr 2006
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| Posté le: Dim Avr 12, 2015 7:22 am Sujet du message: |
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[本家より]
ABT のラトマンスキー版 『眠れる森の美女』 に関して、レビューを集めておきますね。
まずは、LA Times と Orange County Register のレビュー。 こちらは舞台写真満載で、衣装はもちろんのこと、脚を上げる高さがかなり抑えられていることがわかります。 しかし、この衣装、使われている布地のボリュームがすごく、相当重たいのではないかと思われます。 装飾も豪華で、ディアギレフが巨額の借金を抱える羽目になったのもよくわかる感じです。
Sophia さんが貼り付けているので、せっかくなのでこちらにも。 ご覧のとおりリラの精はロングドレス着用で、踊らないのかも。 アポテオーズにはカラボスもいるのねー。
Source : https://instagram.com/marcelua/
Critical Dance の熱狂的なレビューも。 写真は Gene Schiavone。
ALastair Macauley 氏もご覧になっています。
New York Times - Ratmansky’s ‘The Sleeping Beauty’ Has Premiere in California
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Above all, this staging is a triumph of vivifying style. It’s the finest reconstruction I’ve ever seen of a dance work. When the Mariinsky Ballet staged a comparable “Sleeping Beauty” in 1999, the dancers showed no interest in any 1890-1910 idiom. (The ballerinas’ absurdly high extensions, so ill-suited to their period attire, were simply the most obvious anachronism.) Here, however, Ballet Theater’s dancers seem to cherish the challenges of the unfamiliar.
We see both unknown steps and known steps given completely new accents. These performers don’t look cramped by lifting their legs lower than shoulder height or performing with extreme turnout of the legs. They look released, motivated and musical. Their classical style looks enriched, and their skills as dance actors seem rekindled. Tempos for Tchaikovsky’s superlative score are marvelously fast. You can feel the kinesthetic excitement of rapid, complex footwork; upper bodies are mobile, and the performers breathe in both dances and in mime. |
アートジャーナリストの Victoria Looseleaf によるレビューも念のため。
Fjord Review - Beauty Sleep
| Citation: |
| Contrary to Mae West’s delicious quip, “Too much of a good thing is wonderful,” choreographer and ABT Artist in Residence, Alexei Ratmansky, whose interpretation of the iconic fairy tale landed in Orange County stuffed with ballet stars, sequins and sky-high wigs, this over-the-top world premiere is somewhat of a snooze. Blame, too, must be placed on Richard Hudson’s elaborate sets and costumes, which, although inspired by Léon Bakst’s 1921 Ballets Russes production,“The Sleeping Princess,” might be better suited to Las Vegas or Macao, where spectacle is the norm but taste is generally tossed aside. |
ABT がカリフォルニアの Segerstorm Center for the Arts で初演しましたが (5月には NYでも上演予定) 、このプロダクションはミラノ・スカラ座との共同制作。 スカラ座では2015年9月の上演です。
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mizuko
Inscrit le: 16 Avr 2006
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mizuko
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mizuko
Inscrit le: 16 Avr 2006
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| Posté le: Mer Avr 29, 2015 2:59 pm Sujet du message: |
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Sophia さんがプログラムをアップしてくれてたので、コピーしまっす。 出演者も豪華なんですよ！
PROGRAM
Part 1: 1940–1965: Sun, Apr 19, 3 pm
Panelists: Kevin McKenzie, Alex Ewing, Lupe Serrano
Confirmed Principals and Soloists: Gillian Murphy, Xiomara Reyes, Joseph Gorak, Roman Zhurbin
Excerpts include:
Les Sylphides (Finale)
Choreography by Michel Fokine
Music by Frédéric Chopin, orchestrated by Benjamin Britten
Jardin aux Lilas
Choreography by Antony Tudor
Music by Ernest Chausson (Poème)
Rodeo (Tap Solo and Finale)
Choreography by Agnes de Mille
Music by Aaron Copland
Fancy Free (pas de deux)
Choreography by Jerome Robbins
Music by Leonard Bernstein
Theme and Variations
Choreography by George Balanchine
Music by Peter Ilyitch Tchaikovsky (Suite No. 3 for Orchestra, final movement)
Fall River Legend (Rocking Chair Scene)
Choreography by Agnes de Mille
Music by Morton Gould
Part 2: 1965–1990: Sun, Apr 19, 7:30 pm
Panelists: Robert La Fosse, Ric Burns, Eleanor D’Antuano, Martine van Hamel
Confirmed Principals and Soloists: James Whiteside, Stella Abrera
Excerpts Include:
Giselle (pas de deux)
Music by Adolphe Adam, orchestrated by John Lanchbery
Choreography after Jean Coralli, Jules Perrot and Marius Petipa
Swan Lake (Spanish)
Choreography by Marius Petipa and Lev Ivanov
Music by Peter Ilyitch Tchaikovsky
La Bayadere
Choreography by Natalia Makarova, after Marius Petipa
Music by Ludwig Minkus, specially arranged by John Lanchbery
Don Quixote (pas de deux)
Choreography after Marius Petipa and Alexander Gorsky
Music by Ludwig Minkus
Romeo and Juliet
Choreography by Sir Kenneth MacMillan
Music by Sergei Prokofiev
Part 3: 1990–2015: Mon, Apr 20, 7:30 pm
Panelists: David Hallberg, Julie Kent, Kevin McKenzie, Ethan Steifel
Confirmed Principals and Soloists: Marcelo Gomes, Julie Kent, Hee Seo, Cory Stearns
Excerpts Include:
The Sleeping Beauty
Choreography by Marius Petipa
Staging and Additional Choreography by Alexei Ratmansky
Music by Peter Ilyitch Tchaikovsky
Othello
Choreography by Lar Lubovitch
Music by Elliot B. Goldenthal
Leaves are Fading
Choreography by Antony Tudor
Music by Antonin Dvorak ("Cypresses" for string quartet, together with other chamber music for strings)
Other Works To Be Announced
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mizuko
Inscrit le: 16 Avr 2006
Messages: 14999
Localisation: tokyo
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mizuko
Inscrit le: 16 Avr 2006
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| Posté le: Dim Mai 10, 2015 9:27 am Sujet du message: |
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それとまだアップしてなかったので、キャッチアップ。
サンフランシスコ・バレエの2016 Spring Season です。
http://www.sfgate.com/performance/article/Justin-Peck-Liam-Scarlett-works-to-premiere-at-6217032.php
Program 1 (Jan. 24, 26, 28, 30, Feb. 3, 5): “7 for Eight” (Tomasson/Bach), “Magrittomania” (Possokhov/Krasavin after Beethoven), “Pas/Parts” (Forsythe/Willems).
Program 2 (Jan. 27, 29, 31, Feb. 2, 4, 6): “Continuum” (Wheeldon/Ligeti), Liam Scarlett world premiere, “Rubies” (Balanchine/Stravinsky).
Program 3 (Feb. 19, 20, 21, 23, 24, 25, 27, 28 ): “Swan Lake” (Tomasson after Petipa and Ivanov/Tchaikovsky).
Program 4 (March 8-13): “Coppélia” (Balanchine, Danilova/Delibes).
Program 5 (March 16-20, 22): “Dances at a Gathering” (Robbins/Chopin), “Swimmer” (Possokhov/Eshima, Waits, Bryars).
Program 6 (April 5, 6, 8, 10, 14, 16): “Prism” (Tomasson/Beethoven), “Seven Sonatas” (Ratmansky/D. Scarlatti), “Rush” (Wheeldon/ Martinu).
Program 7 (April 7, 9, 12, 13, 15, 17): “Drink to Me Only With Thine Eyes” (Morris/Thomson), Justin Peck world premiere, “Theme and Variations” (Balanchine/Tchaikovsky).
Program 8: (April 30, May 1, 3-8 ): “Onegin” (Cranko/Tchaikovsky).
新作は、リアム・スカーレットとジャスティン・ペックの2作品。 フォーサイスの 「パ／パーツ」 は北米初演、ラトマンスキーの 「セブン・ソナタ」 はカンパニー初演となります。
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mizuko
Inscrit le: 16 Avr 2006
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| Posté le: Mar Mai 19, 2015 12:13 pm Sujet du message: |
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パリではオーレリー・デュポンという大エトワールのアデュー公演が行われた頃、NY では MET シーズン中の同日、アメリカン・バレエ・シアターの創立75周年を記念するガラ公演が華やかに催されました。 いろんなものがたくさん出てますので一気にご紹介しますねー。
まずはスペシャルサイトから！ ABTの75年の歴史を豊富な写真と動画で紹介してます。
http://www.abt.org/75/
プログラムはこんな感じ：
Billy the Kid [First Episode] – Company
Fancy Free [excerpt] – Cornejo, Stearns, Gomes
Rodeo [excerpt] – Reyes, Salstein
Black Tuesday [“Brother, Can You Spare a Dime”] – Simkin
Push Comes to Shove [4th Movement] – Cornejo
Fall River Legend [excerpt] – Murphy, Zhurbin
Les Noces [Second Tableau] – Company
Pillar of Fire [excerpt] – Teuscher, Stearns
The Bright Stream [excerpt] – Simkin, Luckett
Manon [Act I PdD] – Kent, Gomes
Swan Lake [Act IV excerpt] – Copeland, Whiteside
La Bayadère [Act II opening adagio]
Sinfonietta [3rd Movement] – Teuscher, Forster, Part, Hoven, Boylston, Whiteside
The Leaves Are Fading [PdD] – Seo, Stearns
Piano Concerto #1 [4th movement] – Shevchenko, Royal, Brandt, Shayer
Etudes [excerpt] – Murphy, Gorak
Giselle [Act II excerpt] – Kochketkova, Abrera
La Sylphide [Act I James variation] – Whiteside
Tchaikovsky PdD [ballerina variation] – Herrera
Le Corsaire [Slave variation] – Simkin
La Bayadère [Gamzatti variation] – Seo
Don Quixote [Coda from Act III Pas de Deux] – Boylston, Stearns
Theme and Variations [Finale] – Lane, Gorak
（ http://www.metopera.org/metopera/season/abt/opening-night-gala より）
＊ ABT 公式サイト のほうが見やすいかなー。
PBS が ABT の75年の歴史を紹介する番組を制作し、ガラに先駆けて 5/15 に放送しています。 トレーラーをどうぞ！
https://youtu.be/FYY97S5EV4s / https://vimeo.com/127757061
でもって、DVD化されるそうです～。 7/14の発売。
American Ballet Theatre: A History
PBS のサイトでプレオーダーできるようですが、日本の Amazon.co.jp でも予約受付開始してます。 ただし、リージョン1 の輸入盤で、字幕も英語でございます。 あ、英語の字幕があるのか。
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[/quote]
