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20 mai 2011

 
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haydn
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MessagePosté le: Ven Mai 20, 2011 8:36 pm    Sujet du message: 20 mai 2011 Répondre en citant

Le Ballet du Rhin plus riche que russe, par Gilles Haubensack (L'Alsace)

Citation:
Le fil rouge du nouveau programme du Ballet de l’Opéra national du Rhin, intitulé Trilogie russe, offrait à Michel Kelemenis, Garry Stewart et Virginia Heinen un éventail de propositions fructueuses. Le premier, auteur d’une cinquantaine de pièces déjà, surprend d’entrée avec une œuvre peu jouée d’Igor Stravinsky, Le Baiser de la fée (1928), hommage à Tchaïkovski dont il conserve la trame — un garçon et une fille séparée par la magie — empruntée à La Reine des neiges d’Andersen. Bien plus que le côté « narratif contemporain » et son ambiance de night-club avec barman malicieux (Miao Zong) et final sensuel, c’est l’écriture chorégraphique, fluide et déliée, qui convainc pleinement...


«Atys» réenchante le public par-delà les années, par Marie-Valentine Chaudon (La Croix)

Citation:
Dans cette chorégraphie joliment ciselée, on est séduit par la danse des Zéphirs et le solo du Sommeil, interprété par Gil Isoart. Il illumine cette scène centrale, qui constitue l’un des plus beaux moments du spectacle. Sur le plateau instrumentistes, chanteurs et danseurs orchestrent ensemble un saisissant ballet autour d’Atys endormi. L’éblouissement est complet...


Birmingham Royal Ballet keeps its promise to Japan, par Diane Parkes (The Birmingham Post)

Citation:
While to some people dance may be simply tutu and tights, Birmingham Royal Ballet is aiming to prove it is about so much more. With the arts under threat due to budget cuts the Hippodrome-based company is forging ahead with an ambitious three-week tour of Japan with a target of not only raising its own international reputation but that of the city as a whole...


Daphnis and Chloe and The Dream, Birmingham Royal Ballet, in Tokyo, Japan, par Diane Parkes (The Birmingham Post)

Citation:
For many in this Tokyo audience the star attraction was Japanese dancer Miyako Yoshida guesting as fairy queen Titania. The former BRB and Royal Ballet principal, now living back in Japan, received thunderous applause. And well she deserved it. Her Titania was as light as air and as subtle as only fairy dust can be. But she was also well partnered, Cesar Morales was a stern and dramatic fairy king Oberon while Robert Parker evoked a good deal of laughter with his blundering workman Bottom...


Birmingham Royal Ballet stars battle jet lag in Japan, par Diane Parkes (The Birmingham Mail)

Citation:
With two performances under their belt, Birmingham Royal Ballet are well on their way into their three-week tour of Japan. And, while high ticket sales and positive local publicity are ensuring the visit is a success for the company, the packed programme is not without its challenges. With a group of more than 100 dancers, management and technical crew, every step of the tour has to be as carefully choreographed as the company’s performances on stage...


DANCE REVIEW: TRIPLE BILL, ROYAL BALLET, THE ROYAL OPERA HOUSE, LONDON, par Neil Norman (The Daily Express)

Citation:
Spare a thought, then, for Christopher Wheeldon, whose DGV: Danse à Grand Vitesse was premiered in 2006 on the same bill as McGregor’s awesome Chroma. This revival of DGV not only shares a bill with McGregor’s latest work but also with the first Royal Ballet performance of Balanchine’s Ballo Della Regina...


Corella Ballet brings grand dance ambitions from Spain, par Jean Lenihan (The Seattle Times)

Citation:
It's hard to say what's more romantic — the story of Corella Ballet or the sight of the fledgling troupe in the flesh. It surely gets the imagination going to think of American Ballet Theatre superstar Ángel Corella returning to his homeland of Spain in 2008 to start the nation's first ballet company in 14 years in the quiet northern region of Castilla y Leon...


From the Classical World of Apollos and Fauns to a Romantic Passion, par Alastair Macaulay (The New York Times)

Citation:
Some things that happened for the first time seem to be happening again. The first three ballets of Wednesday’s program at New York City Ballet — George Balanchine’s “Apollo,” and Jerome Robbins’s “Afternoon of a Faun” and “Antique Epigraphs” — all address different aspects of innocence, with the world seeming new; it’s heartening to see them all in good shape. The fourth, Balanchine’s “Sonnambula,” alternately suggests a society both old and sophisticated, death and a dark form of transcendence...


Royal NZ Ballet honours legend with a twist, par Laura Frykberg (www.3news.co.nz)

Citation:
Russian-born composer Igor Stravinsky was named one of the most influential people of the 20th Century by Time Magazine. To celebrate his success, the Royal New Zealand Ballet is performing three of his compositions with a modern twist. When Milagros, the Spanish word for Miracles, was performed in 1913, audiences rioted at its boldness. And while modern audiences are unlikely to riot over Milagros part two called "satisfied with great success" might stir a few traditionalists....


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